Category: Yom Hashoa

Community, Guest post, Yom Hashoa

The Candlesticks

JET

“It’s my turn to give back to the community. I give you “The Candlesticks.” –
Helene Weintraub

I am overwhelmed with gratitude, excited, and honored to bring my play, The Candlesticks, to the stage for the first time, with such a warm and talented cast and team, and in Israel!

It is a privilege to have written this play and to be making my directorial debut by bringing it to the stage for the first time, and in Israel! As a young veteran of the Jerusalem English Theater Community, my second family who have been a part of my life since I made Aliyah in 2012, I am honored to take on the key-note event in what has become a longstanding tradition (interrupted by the pandemic) in the English-speaking theater community: outstanding Holocaust-themed productions. Community theater trained me, taught me that theater must be done with love and cannot be done well without teamwork and a sense of community. It’s one big team of excited people, working to their personal best. Therefore, I am very excited to be making my directorial debut with the community by bringing to the stage a play inspired by my
family’s story.

I have always been fascinated by my grandmother’s candlesticks. Knowing that I am named after the two women the ‘miracle candlesticks’ belonged to, has only intrigued me more. The Candlesticks is inspired by the history of a set of candlesticks that survived one of the strongest earthquakes to ever hit Mexico City. In 1985, an 8.1-magnitude earthquake demolished more than 3,000 buildings there, killing more than 10,000 people and leaving thousands more left homeless. My great great grandmother and her family, who fled from Poland during World War II, were forced to flee once again, after losing everything in the earthquake. Traveling back to Mexico City years later to visit the site of the damaged apartment, the family found a precious heirloom that miraculously was still there, unharmed, and untouched after so many years: their Shabbat candlesticks. Today, the candlesticks are well cared for and lit every Friday night by my
grandmother in Israel.

The Candlesticks play follows a similar miracle but a different story that is more relevant to what we know of the Shoah and the difficulties which came with finding families and
reconnecting with Jewish roots after the Holocaust. While Europe is engulfed in the Second World War, a Jewish baby girl is found in Mexico City, on the doorstep of a young married, Christian couple. The girl comes with nothing but a perplexing note and a set of candlesticks. Raised in the Christian home; the candlesticks are put away and forgotten. Until one day a stranger, Samuel Katz, shows up looking for answers. When a terrible earthquake strikes Mexico City, they are all faced with difficult questions and answers. Although the characters in the play are fictional, they will feel real because they represent real people. Children who were sent away, never knowing they were Jewish. People who risked their lives to save others, and of course, those who survived the worst of it, only to begin the search for the missing, if not a future of trauma and loss. Although the story and the timeline has been revised (The earthquake struck Mexico in 1985 while the play is set in the 1940-50s), it remains a story of miracles in a time when they didn’t seem possible, a story of light in a time of darkness. The candlesticks are the
light at the end of the tunnel for all the characters just as they are in my family history.

The play idea was encouraged by my playwriting professor, Robert Montgomery, at The New School (NY), where I currently study and will be attending, in person, this Fall. He had given me some interesting advice when I was only exploring ideas. He said that I needed to come out of the cold ocean, shake off the water, lie in the sun and see what enters my well-lighted mind. Confusing as it was, somehow, I began to think of light, my name, Helene, which means light after my great grandmother, then I thought of The Candlesticks! I only handed in thirty pages by the end of the semester but became so engaged in the story and the research; I set my mind on completing it. Soon after it was finished, Gabriela Mischel Figdor (Assistant Director of The Candlesticks), advised me to send it out to as many people as possible. C.B Davies (Producer of The Candlesticks and co-founder and co-artistic director at CBDB Productions) was one to pick it up and boy, am I glad he did! Thank you, C.B and Dena B. Davies!

It was important to me, that the play be kept about light since light is what inspired the play and is what has kept the Jewish traditions alive in my home for as long as I can remember. Those who have spent the shabbat with my family know that our shabbat lighting rituals are very special. For as long as I can remember, it has been tradition for me, my sisters, my mother, and grandmother to gather by the candles after reciting the brachot to sing, say a few psalms, pray for each other, our loved ones and all the world, and this is a tradition I hope to continue.

It has been a pleasure to work with old and new Jerusalem English Theater Community
actors, Molly Cloutier, Pascal Roy, Andrea Katz, Eden Berg and Aviad Alfasi. I’m so grateful to the team who has put it all into action: C.B Davies, Gabriela Mischel Figdor, Candice Nemoff and to everyone else who took on the challenge of putting on this original play and bringing it to life!

I wish for this play to a be my gift to the community, to the passionate theater people who have made my home in Israel only brighter. Community theater has taught me so many lessons and has given me the self-confidence to embrace everything that I am, and to tackle the world ahead of me. I have discovered what it means to be an active member of a growing theater community and what a difference it has made in my life!

Looking forward to the premiere and to a SOLD-OUT house!

Helene Weintraub is a Performing Artist, Creative Writer, and new Playwright, who considers the Jerusalem English Theater Community her second home. A singer, dancer and actress who holds a degree in Dance from The Jerusalem Academy of Music & Dance. She teaches tap dancing and is also an Honors Creative Writing student at The New School in New York City, where she focuses on playwriting (Lookout New York! She’s coming!). Her written work has been read in worldwide competitions; awarded title prizes for poetry and fictional short stories. Through playwriting, she has discovered the joy of combining her two passions for theater arts and writing. During the summers she enjoys directing plays, musicals, and conducting playwriting workshops for youth at camp.
Beit Hillel Theater Workshop, Community, Encore, Khan Theatre, plays, Readings, Starcatcher, Streaming, Theater Vs. Virus, virtual, Year Review, Yom Hashoa

Theater vs. COVID – 19 A Year in Review

JET

2020 has been a weird year for theater in the world and in the Jerusalem English Theater Community. We have seen new theater companies emerge and older companies move on. We have seeked new ways of doing theater when the old ways just couldn’t happen. COVID – 19 and lockdowns became a regular occurrence in our lives and what people knew as theater either stopped entirely or completely changed.

In 2018 I was in New York and met a few people at a bar celebrating the end of a successful New York New Works festival. I said I was from Israel and someone there started a conversation with me about what it could mean to do virtual theater where someone from one country joins someone from another country onstage. Another woman that I met there was involved in the conversation and unbeknownst to either of us we actually ended up making this happen in 2020.

Theater in general changed this year. Some say for the worse and some say for the better. But all I can say is that we saw new theater and a lot of creativity from new sources that has shown the resilience of theatermakers all over the world and especially in Jerusalem. 

While there were a few live productions in our community in the beginning of 2020 with Fiddler on the Roof produced by Beit Hillel ending right at the tail end of 2019 on December 29th, the COVID – 19 crisis and ensuing lockdowns of society eventually shut down most productions. But our community has been as resilient as ever and while theaters were closed there were still theatrical moments throughout. 

But let us first reflect on what has actually happened this past year.

In the beginning of January we had one of the older companies, Encore, produce Rothschild and Sons at Beit Shmuel, which happened to be the last of a triple header of Sheldon Harnick and Jerry Bock musicals done in the community since November with J-Town’s She Loves Me and Beit Hillel’s Fiddler on the Roof in December. Also in January, a new company called Theatre Zion produced an original production of The Trial of Uncle Charlie by Yehudit Shier Weisberg at the Khan Theatre. Theatre Zion is run by Arye Weisberg and his wife who have produced many productions in Canada before making aliyah and starting Theatre Zion. 

Then Israel Musicals produced Of Thee I Sing at Beit Shmuel. A musical about the ludicrousness of politics, which we saw a bit of in reality in 2020.

In February we were touched by J-Town Playhouse’s The Last Five Years by Jason Robert Brown which was J-Town Playhouse’s goodbye show to AACI. The AACI decided to close down their theatrical space that was used for dozens of different productions and hundreds of cultural events over the past eight years. Where J-Town Playhouse will end up in the future, who knows. But they also pivoted to virtual theater, which we will get to soon.

At the same time Theater in the Rough produced The God of Carnage by Yasmina Reza in people’s living rooms which was a big success.

In March we saw Starcatcher’s Chicago but unfortunately it only lasted a few performances due to the first COVID – 19 lockdown. It was a masterpiece and Starcatcher always challenges itself to be better. The hope is that when live theater can happen again they will continue to bring challenging theater at its best to the live stage.

And then theater spaces were shut down and what was the community to do?

Well the first foray into the virtual space was readings with Theater in the Rough’s King Lear, Jerusalem Public Theater’s Twelfth Night, and JET Community’s CB Davies reading Paradise with playwright Yasmine Beverly Rana. Theater in the Rough did another reading of The Rivals by Richard Brinsley Sheridan as well.

Then CBDB Productions produced a special virtual reading of Vilna by Ira Fuchs for Yom Hashoa.

After that JET Community launched JET Live! which saw many artists from the community in Jerusalem as well as artists from Broadway, the Philippines, and other places come together online in special interviews to talk about theater and keep each other positive and build a community feeling during the lockdowns.

And thanks to that, JET was able to have a workshop with Yael Silver, alumnus of the JET Community and producer on Broadway. She was able to speak with artists in our community about what it means to be a producer and her journey.

In July CBDB Productions produced The Fallen by Yasmine Beverly Rana which worked on making the virtual space more than just a reading. You can still view this play on Facebook. 

At some point during this time Aviella Trapido, producer and director of J-Town Playhouse and Yael Valier, producer and director of Theater and Theology met at a routine dentist appointment check up and went on to create and produce together Corona Monologues, a series of monologues of different perspectives about COVID – 19 and the period we are living in. It featured a talkback with Rabbi, psychologist, and artist Rabbi Dr. Krug.

Evan Kent did a virtual performance of his show Shards virtually.

Women’s Performance Community also branched out with special events on Zoom, creating GRIDVID’s every other month which speak to a holiday or events of the day and released a recording of their last production HIDDEN: The Secret Jews of Spain online.

A new theater initiative by Crossroads Jerusalem, a youth theater project called Crossroads Theater Shed, produced a virtual ten minute play festival with talkbacks with the playwrights and the youth.

The Shine/Markowitz Family produced a theatrical movie with the community of “Joseph and the Technicolor Dreamcoat” for their son Adin’s Bar Mitzvah celebration which was a huge hit.

And right at the end of the year after experimenting with virtual readings and productions CBDB Productions produced After Rome by Yasmine Beverly Rana on December 27th.

All of these projects featured something that may not have been possible in the past. People from all over the world were involved with these productions. Including playwrights themselves, other artists, and friends and family that would have never been able to be a part of the special community that is Jerusalem English Theater.

During all this time different companies did try to prepare for the inevitable time when live theater would happen again but the timeline of COVID – 19 did not allow this in 2020. We hope soon in 2021;

Chitty Chitty Bang Bang by Israel Musicals rehearsed with social distancing throughout the summer but ended up stopping without performing.

Henry IV: In Motion by Theater in the Rough rehearsed with social distancing in the summer, also without performing.

Aida by Beit Hillel is rehearsing currently with social distancing. This was the first year in 36 years that there was no show on Chanukah at Beit Hillel but rehearsals started in September and continue throughout with social distancing to prepare for the time when theaters will hopefully soon be open again.

Raise Your Spirits has been rehearsing their new show via Zoom and live with social distancing called “Rebecca! Mother of Two Dynasties”

And Theater in the Rough has planned a special event of Shakespeare Monologues with different artists in the community and beyond to perform in a park when it again becomes possible.

And to quote one of our community, Toby Greenwald, “Like all of the community theaters in Jerusalem and elsewhere, it is never just about “the show.” Whoever has tried to rehearse a show or put up a show even in these trying times the feeling of community that we create and the spirit that theater brings to our lives can never be taken away. Somehow we will see the end of COVID – 19 and the beginning of live theater, with a few virtual performances here and there. On to 2021!”

We’re entering 2021 with the actual vaccine. We will see the end of COVID – 19 and live theater will be renewed. But our hope is that everything that has happened in 2020 will continue to make us stronger as a community and as people and artists. And our new horizons have only just begun.